ELISABETH SCHMITT
SUPERNOVA 3
acrylic on canvas
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ABOUT THE WORK
The colors of autumn rush through the thickening and color the leaves even more strongly in their colorful colors until they freeze on the ground in the cold.
ABOUT THE ARTIST
Elisabeth Schmitt (1990) is a Munich-based painter who deals with intimate and universally applicable motifs and themes in an abstract painting-style - acrylic on canvas.
The colors and shapes of her images allows the viewer the freedom to find himself in the mood of the image.
Her first exhibitions took place in her studio in Munich's city Centre, where she was invited to regular exhibition -like meetings to stimulate a discourse about art with artists, creativity and collectors. At a Charity auction by the Munich-based group of artists Super + in 2018, two works were successfully auctioned to support regional artists through subsidies/grants.
The artist's development is manifested above all in the technical perfection of her methodology, but also in her thematic examination of broader references.
ABOUT THE WORK
The colors of autumn rush through the thickening and color the leaves even more strongly in their colorful colors until they freeze on the ground in the cold.
ABOUT THE ARTIST
Elisabeth Schmitt (1990) is a Munich-based painter who deals with intimate and universally applicable motifs and themes in an abstract painting-style - acrylic on canvas. The colors and shapes of her images allows the viewer the freedom to find himself in the mood of the image. Her first exhibitions took place in her studio in Munich's city Centre, where she was invited to regular exhibition -like meetings to stimulate a discourse about art with artists, creativity and collectors. At a Charity auction by the Munich-based group of artists Super + in 2018, two works were successfully auctioned to support regional artists through subsidies/grants. The artist's development is manifested above all in the technical perfection of her methodology, but also in her thematic examination of broader references.
